Wislawa Szymborska | The Economist
From last week’s obituary in The Economists. For my poet friends.
I try. I try to understand but metaphor wrapped in simile wrapped in allegory wrapped in analogy is too hard.
I feel like we need a poetry Tim Gunn to come in and tell people when they need to pull it back because it’s overworked.
Some of it is magical and wonderful and some of it…I get to the end and I’m all “wat?”
“No. Wat?!”
And yeah, I get the flow of the words and cadence and stuff but that, too, falls flat for me.
So I try to read it again and again:
“So you…are…talking about…wat?”
And then I go and watch the dubstep cat again.
this is going out to all my poet buddies out there.
The list of words found on the page is then sent to an artificial-intelligence algorithm that stores a statistical model of grammatical structures that has been derived from thousands of works of poetry and literature that it has read. This model is used to discover poetic structures within the new text that are statistically similar to what the program has been “inspired” by. As the poetry is being made, a projector that is suspended from above lights words on the page to reveal the poetry.
Now the machines are writing poetry.
“The Zac Came Back The Very Next Day”
I put a fake booger in my nose and pretended to have this awful cough.
It was a moral deception.
She had been talking about her cat all night.
Girl, that is not the cat I was interested in.
I was like, sorry, see you again never!
Oh, and by the way, I’m seeing your best friend.
Why’d you have to bring Zac Efron into it?
“The Morning Before The Night After”
There are those tired-eye mornings
but this one was earned.
She tongued her palette, remembering
…penis, penis, penis…
and my poor processed parrot, RIP, you poor fucking bastard.
I’ll never drink Stoli again.
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